It’s been a week since my dad died. And I’m exhausted. We’re all exhausted. I haven’t taken my allergy medicine in a week (finally did tonight) and my head feels congested. I hope I’m not sick.
In news not related to grief, I returned to work yesterday. In retrospect, this was both good and bad. I needed rest after all of this craziness and I didn’t get it.
The checks for the incorporation paperwork and fictitious name registration for Parisian Phoenix Publishing Company have been cashed.
Darrell Parry’s poetry manuscript, Twists: Gathered Ephemera, opened to presales yesterday. And Gayle has been hard at work with cover designs for Not an Able-Bodied WhiteMan with Money. And Joan and the residents of Plastiqueville have been hard at work with the illustrations for Trapped.
Currently I am in bed, under the heat blanket with multiple cats on my lap.
My week has included some beautiful text messages, like one from the administrative assistant at ProJeCt, and heartfelt cards and so many flowers. Phone calls. And sympathy food! Offers of halupkis and coffee cake and delivery of alcoholic egg nog and rum cake.
I have gained back the weight I lost.
My work performance today was almost normal, but my emotional state was… what’s the word? Unstable?
I called my traveling companion and told him all my tales from the funeral— and he told me it sounded beautiful and that he thinks he would have liked my dad and wishes he could have met him.
And a couple times today I folded this sweater, the same style and color I was folding when I got the call.
My days are full of loss and laughter.
I built a little shrine. A place for my dad to have coffee. Because I anticipate that sometime soon I will feel his presence here.
My mother gave me the photo at the funeral. It was from 1975. The year I was born. Probably around the time they got married.
Yesterday was the launch day for my novel. At midnight, the teenager and I were celebrating with cocktails and cupcakes.
I have so much hope for Parisian Phoenix Publishing.
It’s too early for me to know how many copies have sold, I don’t expect large numbers as I haven’t really implemented my marketing plan. Our small boutique publisher is a partnership— myself and graphic designer Gayle Hendricks— so the work that needs to be done, we do as we can or we ask for help.
We have lots of ideas, so this first novel may be mine, but part of that stems from my philosophy that before I publish anyone else’s book, I want to learn and grow from lessons made bringing my manuscript into the limelight.
This novel— Manipulations, the first volume of the Fashion and Fiends series—means a lot to me. I believe it breeds chick lit to horror fiction (think what might have happened if Stephen King wrote The Devil Wears Prada) and uses contemporary literature (and the mythic supernatural) to examine social issues.
Manipulations, at its core, is a book about building healthy relationships. And the proverbial lesson of “things are not always what they appear.” And I hope my readers will understand that magic, in this context, allows us to explore domestic violence.
The next volume, Courting Apparitions, (due out in late November) uses a ghost story to examine grief and depression.
And the next, Recovery, (slated for first quarter 2022) tackles disability, motherhood and women’s rights. But don’t worry, magic is still afoot.
Meanwhile, the fourth, Road Trip, is a coming of age novel. With werewolves. I’d like to release that one on June 23, 2022. The day my baby turns 18. But first I have to finish writing it.
The fifth volume, Absolution, looks at the intersection of sacrifice and love.
And the sixth volume, at least half written at this point, is FindingHooyo— a hybrid romance novel, medical drama and war story. Hopefully that should tie up the original story line but certainly not the Fashion and Fiends universe.
Currently our team of authors and interesting people have several projects in the works.
Sometime in 2022, I hope to revisit a book I wrote as part of my research at Lafayette College. I looked at the anti-Muslim laws in France and traced their roots to 19th century colonial stereotypes and considered the thesis that these laws perpetuate stereotypes that started in Algeria.
My love, as a critical theorist, of post-colonial Francophone Africa stems from my view that French imperialism during the colonial era serves as an amazing parallel to contemporary American imperialism and attitudes towards Muslims.
And now, with identity politics very en vogue, I feel like these lessons in stereotypes and prejudice are very relevant.
Speaking of critical theorists and identity politics, I have assembled a group of authors to discuss various identity issues in a special anthology, currently called: Not an Able-Bodied White Man with Money: Expressions of Alternative PerspectivesInfluenced by Experiences in Lehigh Valley, Pennsylvania.
Committed so far is Darrell Parry, poet and writer, and my estranged husband; Eva Parry, otherwise known as “the teenager”; William Prystauk of Crash Palace Productions and the Kink Noir series; Maryann Riker, multimedia artist; Nancy Scott, blind author of essays and poems; Rachel Thompson, science fiction and alternative history writer; Joan Zachary, photographer and writer… and hopefully more.
Racing with them toward the finish line is a cat anthology to use as a fundraising book for Feline Urban Rescue and Rehab which will feature cat stories, photos, memoirs of FURR volunteers and academic research on animal welfare, poverty and empowering low-income and diverse neighborhoods to know what resources are available for themselves and their animals.
And with the new “Texas law,” Parisian Phoenix hopes to work with people on the team who have experience in women’s issues and chronicle stories as a fundraiser and historical record for groups in this sector.
Sometime in late fall, Parisian Phoenix hopes to release a full-length poetry manuscript, the poems for which have been assembled and the layout is in process.
I can guarantee this book will be as funny as it is thought provoking.
Our erotica and romance
It’s not quite clear when our erotica and romance will hit the market, but we have authors working to provide stories with real characters facing real life.
In the romance department, we have a manuscript, Trapped, that combines middle-aged love that sparks because of the skunk infestation with the joy of reinventing oneself.
There are hints of a Fashion and Fiends erotic prequel that extends the arousing feel of the horror fiction universe with more sex and no monsters.
And our goal is to offer kink/BDSM erotica, quality stories with empathetic characters who participate in safe, informed and consensual play. We have authors working on those tales, too.
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