Author chatter: Why did I launch Parisian Phoenix Publishing?

Last night, I was blessed to spend the evening with William Prystauk, author of the Kink Noir series, podcast host and reviewer of all things horror at Crash Palace Productions.

Buy Bill’s books here: William Prystauk on Amazon.

Buy my book here**: Buy Manipulations on Amazon.

Or buy my book at Barnes & Noble

Or even at Target.com

Or if it fits your values better, ask your independent bookseller to order it from Ingram.

But back to last night…

Bill and I got together for dinner and chatter— in part to celebrate the publication of Manipulations and the launch of Parisian Phoenix Publishing (working on the web site ParisianPhoenix.com and social media channels a little every day) and in part because Bill just really really really loves sushi.

Over a wonderful wide selection of sushi (including salmon roe and sea urchin, I did not partake in the urchin as it looked like radioactive cow tongue and I wasn’t sure how I felt about the salmon caviar) at Jasmine (read about our last visit there here), Bill and I started what ended up being an hours and hours long conversation about our hopes and dreams for our lives and our careers.

The conversation continued over cocktails at County Seat Spirits (Easton) and the ice cream at Ow Wow Cow, both at the Silk Mill.

The bar at County Seat Spirits

Bill and I have exchanged writing in the past and encouraged each other so I suppose he wasn’t horribly surprised when he received his copy of the book this week and opened it. But he asked a lot of good questions— why didn’t I go the traditional agent/editor/publisher route. I love that he believes in me and believes in my writing but I have shopped this manuscript.

Every few years I dust it off and send it out and every agent I have queried asks for pages. And every rejection I have gotten features personalized statement of the first 100 pages merits but how it doesn’t fit a proper genre or have the type of structure readers want.

And I know my writing can be dark, and literary from time to time. The fashion aspects are very feminine in a chick lit way but the supernatural elements are more horror than paranormal romance. My writing can be flowery, the emotions intense, but the situations can be very gritty and real.

And I don’t want to sacrifice that.

I don’t want any editor to have control over issues I discuss in my work: marriage/divorce, jealousy, domestic violence, self esteem, body image, self confidence, infertility… and those are just the first book. And I honestly hope you don’t outwardly notice these topics in the story but that they steep into your subconscious and slowly transform you like cold-brewed iced tea.

Meanwhile, as Bill and I are talking about upcoming books ( for those of you who have read Bloodletting, Punishment, and/or Debauchery— I have not only read the fourth book in the series but I also know the title of the fifth!), I am receiving texts and Facebook posts from people who have received their copies. And poor Gayle is left working on the poppet that will adorn the cover of the sequel to Manipulations, Courting Apparitions.

Courting Apparitions is a ghost story that examines the effect grief and depression has on our lives.

** $1 of every print copy of Manipulations sold goes to Feline Urban Rescue and Rehab.

Fabulous error and hump day fun

Today I finally had my eyebrows done after a long hiatus from Hyperion Salon where I have my nails and waxing done. I still can’t spare the money for a mani-pedi but brows is a $10 investment that yields great benefits.

Since the teenager had to be at band camp at 8, and I was due at the salon at 8:30, I decided to go to Dunkin’ since I had a free beverage credit.

It was chilly and raining so I thought I might order a hot latte, some sort of fancy caffeinated beverage. In the end, I decided on an iced matcha latte with skim milk as I adore matcha but am not willing to pay $5 for some green powder in a glass of milk.

I got to the drive thru window and she is clearly handing me an iced coffee latte.

I’m like…. ummmmm

And she looked at the tag and it was clearly supposed to be an iced matcha latte.

So here’s the cool part… when they made it, it looked like they used a medium amount of skim milk and a large amount of matcha.

It was dark, and rich, and chunky the way I like my matcha drinks.

Heaven.

Then after my brows, which now look amazing, I went to the chiropractor. I listened to Thurl Ravenscroft (the voice of “You’re a Mean One, Mr. Grinch” and Frosted Flakes’ mascot Tony the Tiger).

I listened to “Yes, we have no bananas” four times in a row and was single along at top volume in my best barbershop quartet voice.

What fun, right?

Tonight I am having dinner with my friend Bill (the author of the Kink Noir series— next volume coming soon! More info here: Debauchery and Projects with Bill).

It’s nice to know that there can be fun summer days after all.

Sunday evening briefing: My Time of Debauchery Ends

Yesterday was a frolicking good day of silly adventures and hearty chores— I feel the after effects of hauling all that trash from the garage yesterday burning in the tops of my thighs.

This morning I enjoyed coffee with my mom in my home and then sat in the morning sun and read more of William Prystauk’s manuscript, Debauchery. He asked me to edit the final manuscript before it heads to the printer as his regular editor was unavailable.

Bill and I have been friends for more than a decade now and I told him I’d love to take a look if he didn’t mind as I’m a HUGE FAN of his previous Denny Bowie novels— it’s just the right blend of counter-culture, dark crime, intelligentsia and erotica.

Bill takes on some kinky themes. His characters experience the best and worst of the human condition. They ooze love. They survive trauma. They admit their weaknesses and accept their fetishes. They explode in rage and sometimes toy with pain.

Everyone seems vibrantly alive yet always on the precipice of tragedy.

And while one person might look at the words, the events, the violence and the various expressions of sexuality and squirm in the face of its counter-mainsteam manifestations, the way Bill has crafted the tale makes the more disturbing twists easier to stomach and nothing is ever gratuitous.

The first book, Bloodletting, focused on love and acceptance— that a real relationship won’t ignore any part of a person or their desires. In Debauchery, the antagonist examines not only the motives of the people involved in his current missing person case but also challenges his own world view and his connection to his own unorthodox living arrangements.

Bill has made a valiant effort to keep each novel in the series a stand-alone, but please don’t start with this one. I think the reader needs to read at least one of his previous books to appreciate the depth of Denny Bowie’s angst.

Or shall I call him Dennison?

I know Bill was pleased with my one week turn-around on this just slightly more than 80,000 word manuscript. But when the story is this compelling, and has such a strong, unique voice, you can’t put it down easily.