One of the challenging aspects of writing for both a personal blog and my small independent press is knowing when to address a topic as a publisher and when it would be better served to come from, well, me.

Today is definitely one of those times. I don’t have it in me to write two separate pieces. I’m not even sure I have it in me to do one that conveys the sense of enthusiasm and the nature of the art I saw last night at the opening reception for “Let’s Play” at Connexions, the art exhibit curated by Maryann Riker, who has participated in Parisian Phoenix Publishing’s anthology Not an Able-Bodied White Man with Money and provided custom art work for the covers of Twists: Gathered Ephemera and The Phulasso Devotional: Engineering the Warrior Priest for Dark Times.

I asked Maryann what the average viewer would see in the works. This is what she told me:

It’s a fun, whimsical and crazy, but playful, assortment of work. As we settle into the idea of a world with COVID, I hope this exhibit gives the viewer the feeling that play is important. The brain retains plasticity as we age by providing learning and creative opportunities. It gives us new perspectives and idea. Play is vital to children and adults alike.

Maryann Riker, curator of Let’s Play at Connexions, on display now through June 25

Within the exhibit, Maryann selected several photographs by Joan Zachary featuring the residents of Plastiqueville. Joan has shot photographs for Parisian Phoenix that I can’t even list comprehensively, from author headshots to cover shoots.

Joan described the pieces in the exhibit as “while they’re quite different from each other, all depict Plastiqueville as the fun-loving, joyous world I’ve tried to create. All my creative projects attempt to build an imaginary world, filled with detail and lifelike characters (even though the tallest of them are barely seven inches in height, and most of the others are much, much smaller). I know I’ve succeeded if the viewer wants to crawl inside and live there.”

Joan herself is not a tall person, so I wonder if the choice to work with recycled toys in a small, plastic world has more to say than she realizes. One of these days we might find Joan inhabiting her plastic universe with Mr. Tiger Pants and his friends.

“Plastiqueville [is] an imaginary world populated by my random collection of little plastic people. You will see their competitive nature as they compete at Scrabble. You’ll experience their adventurous spirit as they go rafting through waters made from foil paper. And you’ll be invited into their private moments as they share their secrets. Plastiqueville is a world like no other, although it will probably look very familiar,” Joan teased.

The gallery has a second exhibit on display right now, the regional summer group show. The two presentations work well together– the group show offering scenes of spring and local views, an exterior examination of life; while Let’s Play encourages an interior dialogue of what toys mean, beyond their existence as the possessions of children. Do their vibes and their influence stay within us as adults?

The gallery itself is a fun place to visit, the hand of artists evidently at play with the eclectic blend of furniture, the items of display from jewelry to pottery, a nook for chess here, a very European feeling courtyard there. Even the music by DJ Kaos was perfect.

And anyone in the area knows the best place to get the best food is Forks Mediterranean Deli and Connexions certainly did it right. I once spent a year attending ever Hillel function at Lafayette College until they revealed the secret to their falafal– it came from Forks Mediterranean Deli.

As soon as The Teenager and I walked into the room with the refreshments we had the same thought. Surrounded by the familiar smell that could have made us drool like a dog, we both recognized it.